We contemplate the multiple possibilities that emerge during the construction of a group exhibition. We contemplate the multiple misconceptions that result from the design of a discourse that aims to encompass the perspectives of each of the works placed in dialogue. As a result, we view this curatorial act as a moment of suspension of the comfort of clear and transparent ideas, or rather as a means of questioning a development process that is open to doubt and speculative clarification of the ambiguous density of a reality that aims to be accessible and understandable. The possibilities of error constitute daily conquests for artists. Because discourses are anchored in their proposals, rooted in other-certainties that render the perception of the world more complex – as a changing and elusive entity. In the aftermath of a modernity subject to constructive desegregation – hopefully – the beginning of our century is experiencing the anxiety of questioning new social and political plans

Read More: ‘Unfolding Modernisms (for future thoughts)’ on view at Invaliden1 Galerie