Galerie Rodolphe Janssen announces the debut of a new series of sculptures and paintings by artist Sam Moyer that address the dimensional, architectural, and environmental characteristics of the gallery as site. Installed in the center of the room are three large sculptures set in a row on axis with the gallerys signature double-pitched skylights. Scheduled to coincide with the years longest days as the sea-sons transition from spring to summer, Slowly meditates on the appearance and disappearance of light. If there is one unifying interest across a diverse body of work with an expanding vocabulary of material form, it is Moyers investment in the effects of light and its impact on the integration and disintegration of space. In previous bodies of work light as an artificial phenomena was explored, notably through the inter-action of a concealed lighting grid hung above the suspended canvas
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