Tony Cragg’s first exhibition at the Lisson Gallery Milan consists of several new sculptures in bronze, wood and stone. Alongside these are a number of works on paper. The upright sculptures in the gallery are the result of complex internal formal constructions and geometries that give rise to outer forms that we can recognise, have associations with and give names to. Cragg’s complex polymorphic sculptures reveal aspects of the relationship between the rational internal dynamic of materials and our subjective response to material forms. For Cragg this is not only the essence of all sculpture, but of all our experiences in the world as well. His work is full of movement, growth, dynamism and a sense of wonder at the seemingly unlimited possibilities of sculptural form. Cragg exhibits two larger bronze and marble works – Over the Earth and First Person, the latter outside the

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