Inspired by Argentinian author Adolfo Bioy Casares’ 1940 novel, The Invention of Morel, the exhibition Memory Burn observes mortality and death in relation to recording devices. The title of the exhibition refers simultaneously to unforgettable visions burned in the mind and to digital burning used to archive memories. In the novel, a fugitive stranded on an island obsesses over a beautiful tourist named Faustine, only to find out that she and her fellow travelers are three-dimensional recordings projected by a machine. Coping with loneliness and gradual madness, he learns how to integrate himself into the machine’s memory, altering it to suggest that he and Faustine are together, in love. Although the process means certain death, he wishes to live on as a projection, hoping a machine is invented that can merge his soul and conscience with Faustine’s. The phenomenon that takes

Read More: Memory Burn: bitforms gallery in New York opens group exhibition