Timothy Taylor Gallery announces its fourth exhibition of Philip Guston’s work, which gathers together some of the artist’s finest paintings and drawings from the distinguished body of work made between 1969 and 1980, many of which have not been previously exhibited in Europe. The influence of Guston’s work, in particular his late paintings, continues to “cast a long shadow over the current landscape of contemporary art,” as Peter Benson Miller acknowledges in his recent publication.1 Because Guston was one of the few American painters to ‘defect’ to Europe – both by undertaking numerous residencies, as well as departing from the quintessential Postwar ‘American style’ – his significance is especially pertinent within a contemporary European context. Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s,

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