Louis XIV’s imperialist ambitions manifested themselves in every activity under his dominion, which included the production of etchings and engravings. Fully appreciating the beauty and utility of prints, he and his advisors transformed Paris into the single most important printmaking center in Europe, a position the city maintained until the 20th century. Fueled by official policies intended to elevate the arts and glorify the Sun King, printmakers and print publishers produced hundreds of thousands of works on paper to meet a demand for images that was as insatiable then as it is now. On view at the Getty Research Institute at the Getty Center June 16 through September 6, 2015, A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715 was organized by the Getty Research Institute in special colla-
